November 19, 2013 ) Lee Chapel
FACULTY RECITAL
Praeludium in C Major
Johann Christoph Kellner (1736-1803)
Trio in F Major
Fantasia in F Major
Johann Ludwig Krebs (1713-1780)
Elegy
William Grant Still (1895-1978)
Sonata I
Massig schnell - Lebhaft
Sehr langsam - Phantasie, frei
Paul Hindemith (1895-1963)
Prelude and fugue on a theme ofVittoria
Village organist's piece
Benjamin Britten (1913-1976)
Choralfantasie Liber Wo Gott der Herr nicht bei uns halt, BVW I 128
Johann Sebastian Bach (1685-1750)
Sonata in B-flat Major, Opus 65, No. 4
Allegro con brio
Andante religioso
Allegretto
Allegro maestoso e vivace
Felix Mendelssohn (1809-1847)
Toccata and Fugue in D, Opus 59, Nos. 5 and 6 Max Reger (1873-1916)
BOYD JONES performs extensively throughout the United States on
both organ and harpsichord in addition to his duties as University
Organist and John E. and Aleise Price Professor of Organ. Recent
seasons have included performances for two regional conventions of the
American Guild of Organists, the national convention of The Organ
Historical Society, a conclave of the Southeastern Historical Keyboard
Society, and the national convention of the Music Teachers National
Association. Many recitals have been performed for colleges and
universities, AGO chapters, and churches from California to Maine to
Florida. Engagements abroad have included recitals in Japan, and in 2007
a series of recitals in Bulgaria. Additionally, he has performed frequently
as both organ and harpsichord soloist, and as a continuo player with
several prominent orchestras.
Dr. Jones holds degrees from Stetson University (BM), where his organ
teacher was Paul Jenkins, and from Yale University (MM, MMA, and
DMA), where he studied organ with Charles Krigbaum and harpsichord
with Richard Rephann, and served as Assistant University Organist and
Graduate Teaching Assistant. He has also studied with Harald Vogel at
the North German Organ Academy and with Robert Noehren. Dr.
Jones has won both national and international organ performance
competitions. He has recorded for Arkay Records and Clear Note
Records and is represented by WindWerk Artists.
STETSON'S PAUL R. JENKINS, JR. ORGAN was built by Rudolf
von Beckerath (1907-1976) of Hamburg in 1961. In 1992, the case was
altered by Charles Nazarian. In 2004, a thorough cleaning, restoration,
and update of the combination action was accomplished by Hans-Ulrich
Erbsloh. The instrument, the first of its kind in an American university's
performance space, stands today as a testimony to the foresight of
Professor Jenkins, and the artistry of Rudolf von Beckerath, now
universally recognized as one of the greatest 20th century organ builders.